Tuesday, October 6, 2015

#ROSACon2015 Report: Writing Compelling Dialogue

Thank you to Clare Loffler for today's report on Joss Wood's talk on Writing Compelling Dialogue. Joss is a multi-published (17 books and counting!) author for Harlequin and Tule Publishing. Her latest book, Claimed by the Warrior, is out now.


Joss Wood spoke on the art of “Writing Compelling Dialogue” at ROSACon 2015. She said that dialogue reveals characters’ relationships to one another, moves the plot forward and increases tension.

She said it is important to keep the following questions in mind when writing dialogue:

Will the story still make sense if the dialogue is removed?
Does the dialogue increase the suspense for what is to come?
Does it change the character’s situation for better or worse?
Does the dialogue shed some light on what the character wants?
Does it serve to strengthen the character’s resolve or perhaps weaken it?

Joss Wood
Joss stated that it is important to listen to conversations happening around you and to take note of the gestures and tones used as these will help you to write compelling dialogue. Be aware that men and women talk differently, and remember to keep your character’s dialogue consistent and realistic. Dialogue is not just quotations she said, it is also grimaces, pauses, adjustments of blouses and so on… Including physical reactions also helps the reader to identify which character is talking. Action, she said, was a good way to break up dialogue, while simple descriptions are a good way to slow dialogue down. She warned against writing dialogue that serves no purpose, and advised writers to be on the alert for characters telling each other things that they already know.


Friday, October 2, 2015

#ROSACon2015 Report: A Year In Romance with Rebecca Crowley

Over the next few weeks we'll be bringing you reports on the various sessions at #ROSACon2015. 

Today we kick off with a report by Mandy Verbaan on the opening session of the conference, A Year in Romance by guest speaker Rebecca Crowley, author with Carina Press and Samhain Publishing.



Rebecca Crowley
Rebecca kicked off the ROSA conference of 2015 with an overview of what’s been happening in our world for the past twelve months. Going down this particular memory lane is like watching an old Colombo whodunit. Authors stalking bloggers, a one week blogger black out, the demise of Ellora’s Cave, Dear Author revelations, law suits and tension in general between bloggers and authors.


Then along came #weneeddiverseromance off the back of #weneeddiversebooks which prompted a RITA nomination of a romance between a Nazi hero and a Jewish concentration camp heroine. A bizarre book nomination which got shortlisted and opened up numerous heated discussions. Although book publishers are looking for diversity, they surely cannot accept storytelling without respect and honour?

So where does that leave us? With constantly changing opportunities!

  • Publishers are going down or thriving. We will soon have a core group of publishers to pitch to.
  • Marketing needs to change. Blog tours and book reviews are not selling books like they used to so we need to find innovative ways to sell our books.
  • New voices and innovative stories are more popular than ever.
  • Rise of the hybrid author where we can publish across multiple channels – various known publishers as well as self-publishing is no longer an anomaly.

As we move forward in time we see more authors going the hybrid route. This new author is savvy and is building a repertoire of books that are publisher backed, self-published, sold through or without agents and are able to have complete control over their pipeline alongside receiving the support of publishers. And if this sounds like it’s the best of all worlds – that’s because it is!

So what will we need to produce next year? What’s the next big thing?

The great thing about being in a writing industry going through a progressive phase is that it’s a perfect time to be bold, different and innovative. But most of all … it’s time to be you!

Rebecca’s talk was informative, funny and entirely uplifting. Now that we know we can get the ins and outs of the industry again next year we can all go back into our writing caves to produce that best seller that is clamouring to be written.

Happy writing!

Wednesday, August 19, 2015

First ROSA Annual General Meeting

ROSA's first AGM takes place at 10:00 on Saturday 5 September in Rivonia, Johannesburg.

Non-members of ROSA are welcome to attend, and also to join us for refreshments and a chat afterwards, however only registered, paid-up members of the organisation will be eligible to stand for election or to have their say on ROSA matters.

Registered members who live outside of Johannesburg and who are unable to attend will be able to participate via Skype.

If you would like to attend or have any queries, please RSVP to Romy on romy@romancewriters.co.za.

For more about membership of ROSA, please visit our website: http://www.romancewriters.co.za/



Monday, August 10, 2015

Happy women's day!

To all the romance writers and readers out there (yes, even the rare men) I hope you're enjoying having a day off work today. All that extra reading time!

South African author Helen Moffett has posted her annual rant about Women's Day, and it's well worth a read. Just beware that the post contains some bad language and shouting. But it's thought provoking. Every day should indeed be Women's Day!

I also highly recommend this post by Jen Thorpe.

You're probably wondering why, on a day that should be joyful, celebrating the strength of women and their many amazing contributions to the world we live in, there is such an outpouring of negativity from women.

The answer is simple: equality between men and women is still a myth in South Africa.

This was brought home to me three times over this last week.

First, it was the leaflet distributor at the red traffic lights who leaned clear across the hood of my car to press his leaflet against the windscreen immediately in front of my face. When I did not joyously acknowledge him, he moved to stand by my window, again waving his leaflet. Not getting a reaction, he finally drifted to the car behind me, driven by a man. I watched my rear view mirror in fascination as he paused beside the driver's window, waving his leaflets at almost twice the distance he'd stood from my window. He didn't shove the leaflet in the male driver's face.

The implication is clear. As a woman, I do not deserve the same 'space' in the world as the man behind me. The leaflet distributor clearly felt he had a  right to get up close and personal and in my face, in a way he would never do with another man. The implication being that I, as a woman, am a lesser human being, less deserving of respect.
Less powerful.

But it's not only the uneducated men handing out leaflets in the backed-up traffic who perpetuate this inequality.

This last week Books Live announced the line up for the 2015 Open Book Festival to be held in Cape Town next month. 102 authors! Wow - fantastic! Then I scan down the list and though there are many women writers involved, none of the topics seem to cover women's fiction. There are about 120 sessions taking place during the Festival, and not one features the genre most read by women: Romance. Nor is there a single romance writer included among the speakers.

There are the usual talks on politics and race that occur at every book fair in South Africa (yes, these are important, but nearly 50% of the line-up at an event about BOOKs, not politics?). A handful of sessions are devoted to comic books, and there's even a talk on the connection between hip hop and the spoken word. (Not the written word, you notice, even though this is a BOOK festival). There's also a talk about loadshedding by a man who has written a book about Eskom. Because really, that's more relevant to South African literature than the world's most profitable book genre? I suppose I should be satisfied that there is at least one talk about YA (Young Adult fiction).

But I have to wonder: How is it possible that the highest earning genre of fiction world-wide is not represented? Why is there not even one session out of the 120 devoted to the genre written mostly by women, for women and about women?

The implication is clear: because in the literary world as much as on the city streets, women are less important. Unless we write a genre that is of interest to men (non-fiction, politics, sports, literary fiction) we are not worthy of inclusion.

Finally, the last straw in my build-up to Women's Day, was this article on Jezebel.com showing that men are eight and a half times more likely to succeed in publishing than women. Not for any obvious reason, except that people in publishing, as in all things in our supposedly equal society, seem to have a subconscious belief that men are better than women. (Except in Romance which, as the article points out, is the one genre in which it is an advantage to be a woman!)

I don't really need to say that this pervasive attitude towards women is (a) wholly unfair and (b) complete and utter tosh, do I?

Women make up half this planet's population. Interestingly enough, we're the half that ensures the survival of our species. In fact, pretty much the survival of all life on earth, if you exclude sea horses, hermaphrodites and single cell organisms. I'd say that makes us just a little important, don't you think?

Many of us raise the next generation alone, in the face of rampant daily inequalities which threaten not only our ability to earn, but even our ability to stay safe, and alive. In subtle ways we find ourselves pushed back, even while men who should be our equals are pushed forward. We are exhorted to behave more like men in order to get ahead. We are forced to endure twenty seven Marvell comic reboots as we await the one romantic comedy that made it into production in male-dominated Hollywood.
Yet we survive. We thrive. We love. We rise above.

Women are incredible. On this Women's Day I honour all the women who went before me: my grandmothers, my own mother who is the most amazing person I know, my friends and my female colleagues, the authors who have written words that inspired me, and the 20,000 women who marched together in protest on this day 59 years ago.
Thank you.

And I hope that you will all stand beside me as we take this march forward, as we push back against those pervasive attitudes, as we prove that women are in every way deserving of equality and safety. Not just on Women's Day, but every day.

Tuesday, July 28, 2015

#ROSACon2015

In less than two months ROSA will be hosting its second annual conference. This year's conference takes place at the Devon Valley Hotel in the Cape Winelands on 25 & 26 September 2015, and features an amazing line-up of guest speakers in both English and Afrikaans.

For more information on the conference program, the speakers, and the conference costs, please visit our website at www.romancewriters.co.za.

On the evening of Friday 25 September there will be a gala dinner at Helena's Restaurant in the historic heart of Stellenbosch, which partners and friends are also welcome to attend.

Conference delegates will have the exclusive opportunity to pitch their manuscripts to a number of editors at some of the world's top romance publishers as well as to three international literary agents. There is also a chance to win a gift hamper in our Sugar & Snark scene contest.

Book now as places are limited! Registration forms and further information are available from admin@romancewriters.co.za.


Friday, June 5, 2015

Ena Murray: 1936 - 2015

Blog post by Marie Dry:


Last night when I heard on the news that Ena Murray passed away from natural causes my first reaction was, I’m not ready yet. I still wanted a world where she creates these wonderful books that grips the imagination. That transported me to adventures in the Amazon, Europe, Mozambique, Hawai and many more exotic locations. To read about pirates and noblemen who had their titles stolen by unscrupulous family.

When Romy Sommer asked me to do the blog for ROSA, at first I thought to research her life and where she was born etc. To try and give a detailed account of her life from the moment of her birth. But to me Ena Murray means wonderful stories so I will tell you a bit about her life but I want to talk mostly about her books.

Ena Murray was born in Loxton in the Karoo on 27 December 1936, the middle child of three daughters. Her father was a doctor in Loxton and Ena Murray attended school in Loxton and Victoria West and then became a nurse after she matriculated. She married Boet Murray and they made their home in Loxton but after twenty years they divorced and she moved to the Wilderness in Southern Cape where she married Jaques Mostert.

Eventually they moved to a retirement village in Mossel Bay where he passed away five years later and she stayed on until she passed on 4 June 2015.

Two of her books were made into movies, Vrou uit die nag (Woman of the Night) and Plekkie in die Son (A place in the sun). The latter was the story of a leprosy shelter and a woman contracting leprosy and falling in love with the doctor working at the shelter. Revolutionary romance writing for the times. Ena Murray was well known for doing thorough research and not writing the story until she had all the details needed. She also wrote suspense and thrillers but are best known for her romance novels. I remember reading her books from age eleven and those same books are still best sellers. That takes some doing.

For some reason the first book I thought about last night when I remembered how much I enjoyed reading her books were Rabbedoe van Rietkuil (Tomboy of Rietkuil). I was about thirteen and read this book about a woman who went to work as a farm manager who at the end of the book turned out to be a glamorous socialite who fell on hard times and had to work to bring in money to save her family. Wow I was impressed. Imagine at a time when there were still discussions about whether your husband would one day allow you to work being able to read something like that.

Paspoort na gevaar (Passport to Danger) was a Cape Dutch historical romance. I loved the period costumes and the bit that started in France. And as you can see from the cover of the book a rather forceful hero. My teenage self, thought him very dashing. Paspoort na gevaar is the story about Nicolette de Lille a French noble woman who make a marriage of convenience to get out of some trouble caused by her fiery spirit. She thought she would go back to France and forget about the rough free burger she married. I think you can guess how well that went for her. Have a look at the cover of this book and guess what happened to her plans to return to France.

Junior in saal sewe (Junior in Ward Seven) was one of my absolute favorites. I liked it so much I made my poor little brother and sister sit still for hours while I read it to them. This is the story about a young nurse who doesn’t have a boyfriend and fed up at being teased for not having a boyfriend she pretends she is secretly engaged. She regularly goes to visit one of her old patients and take a photograph of the woman’s grandson and show it to the other nurses. Except the photo turned out to be of the new head surgeon at and all her shenanigans to hide her lies are hilarious.

Eensaam op wegdraai (Alone on Wegdraai) is another story my brother and sister were forced to listen to and is the story of twins who make a plan when it looks as if their father want to marry their least favorite teacher. One who wants to make them wear dresses and sit around with their ankles crossed like little ladies. They place an advert on behalf of their father in a dating magazine and quickly get into a correspondence with the heroine of the story. I want to reread this one simply to see how they received actual letters and how things worked without internet and cell phones.

I can keep going until this blog is a hundred pages long and still have some Ena Murray books to talk about. She will be missed.


Related links:
http://en.wikipedia.org/wiki/Ena_Murray
http://www.liefdesverhale.co.za/authors/341
http://www.springbokboeke.co.za/html/ena_murray1.html http://www.goodreads.com/author/list/569459.Ena_Murray http://www.netwerk24.com/vermaak/2015-06-04-ena-murray-koningin-van-liefdesverhale-sterf-op-76
http://skrywers.blogspot.com/2008/07/ena-murray.html





Tuesday, June 2, 2015

Peter's review of 'The Rewrite'

Thank you so much to ROSA member Peter Barker for this review of The Rewrite, the new romcom which ROSA Johannesburg were invited to view at an advance screening courtesy of Ster Kinekor:

One may be tempted to stifle a yawn at the arrival of yet another 'chick flick' featuring naughty boy Hugh Grant. The typical Romance structure Boy meets girl, boy dates girl, Boy and girl break up, boy and girl reconcile and all live happily ever after while the arch-feminist in the sub plot is able to stand her ground.

Whereas the arrival of THE REWRITE featuring Hugh Grant and Marisa Tomei soon to be distributed through the Ster-Kinekor chain falls into this category, it is worthy of a more stricter test. Firstly, does it entertain? Is it interesting, (or does it educate)? Finally does it inspire?

On all three tests it certainly meets the criteria. The story is based at a University campus where Hugh Grant as a washed up one hit wonder script writer is sent to teach screen writing to a class of university students. He is spotted by single mother mature student played by Marisa Tomei. Hugh Grant's character treats the job with disdain until his mistakes start to catch up with him. Marisa Tomei's character is in the background guiding him through towards the right choices. Youth and its uncertainties and enthusiasm which comes through the students in the screenwriting class certainly provide entertaining viewing. The story line is enlightening for aspiring writers and gives a perspective of what writing and getting material published is all about. It is not a writer's guide but it does illustrate some of the tricks and pitfalls of the trade. Finally, there is in the cast of characters someone for everyone to identify with. Enough material for everyone to be reminded that your dreams and ambitions are obtainable no matter what your background is.

For an evening's entertainment which albeit in a familiar genre, will leave you entertained, enlightened and inspired. THE REWRITE is well worth a visit to the cinema.