Sarah Duncan's latest post might seem incredibly obvious to writers who've been knocking around for a while, but if you're still a newbie, you really need to read this:
http://sarahduncansblog.blogspot.com/2011/02/publishing-money-flows-in-one-direction.html
Self publishing is a different story. This is where you knowingly spend your own money to publish your own work. And when you self publish, you the author, should be the one receiving the earnings, not some middle man.
Showing posts with label How Publishing Works. Show all posts
Showing posts with label How Publishing Works. Show all posts
Friday, February 4, 2011
Monday, November 15, 2010
After the Sale - Mistakes without Regret
I was so not prepared, mentally or any other way, for my first sale. You'd think after dreaming about this moment for years, I would be, but then it happens and all carefully laid plans take a speedboat to China,lol. The basic rule of submitting is: carry on writing. This should be (and probably is) the basic rule for acceptance. It's what I'd intended.
But then came the bubbly, the blog, the website, author loops, twitter, FB... sound hectic? Yes, suddenly I had to vamp up my online presence and learn to use twitter (all in between five rounds of edits) But many hours/days/weeks were totally wasted by me basking in that dream where I was actually, finally going to be published.
I didn't start writing again until a month after my release date - I had four chapters and about 4 months more work, my publisher's production lead-time is currently 7-9 months and that meant that including the 6 weeks initial submission time, I was going to go over into a two year gap between books (and that's if they actually wanted my new story) Not a good scenario. So I put my historical wip on hold, pulled out an old romantic comedy story, stripped it to the bone and rewrote it in a month, subbed it, and two weeks ago got the fabulous news that Carina Press loved it and wants it. Even so, its release date will be fall next year, which is still a large gap in the epubbing business.
Was it a mistake to wallow in the mudbath of success for so long without getting down to the business of writing? Definitely. Do I regret it? No, I'd do it over exactly the same. It took almost 10 years of hard work, anguish, screaming, doubting and undulating hills of hope and dashed dreams to get to that point, I guess I deserved a little downtime to enjoy the view from the top of the rocky cliff.
Next to actually writing the book, marketing is the next most important thing. And this is where some people have a natural ability to excel. Me? Not so much. My first blog tour was a little dour, each visit was purely about my book, excerts, etc. Mistake? Not sure, but I like the way some other authors bring diversity into their blog tour, sometimes they don't even mention their book (but there's always an image and buy link). Regrets? I don't think I had the time to dream up 20 wonderful and unique topics, but I'll see what I can do next time round. I'd probably spread the tour over two months as well to give me space and keep the interest going longer. With an ebook, there's no reason to cram everything into your release month.
Carina Press makes all their books available at NetGalley for a few months, this is a site where book bloggers and reviewers can request books for review. Basically, the reviewers come to you instead of the other way around. Great for business. I got reviews from sites I never knew existed. I didn't feel comfortable commenting on those sites, but in some cases the reviewer started following me on twitter and I did respond to them there, thanking them for the review. I also try to retweet their other reviews when I come across them, for which they're always grateful...you know what they say about spreading the love.
I did personally email a few review sites where I wanted to reviewed, about half of them have done the review, other may or may not, once again it's a case of wait and see. Sending out my book for review swept me straight back into the whole submit and rejection circle. Not even the bad reviews were as terrible as the one response I got that said, 'Thanks, but no thanks.'
Reviews are critical, however, and there were some of the more acerbic sites I cowered from sending to. These sites also tend to have high traffic, so this was probably a mistake. Being a debut author, however, each review was an emotional rollercoaster. No matter how much I schooled myself about personal likes and dislikes, no matter how many times I reminded myself that you can't please everyone, each review was personal and there were days when I snapped my laptop shut and believed I sucked. So how can I regret sparing myself from being shredded to pieces? Having my next book contract, though, has been a massive confidence boost and, I hope, I'll be braver next time. I will have to wait and see, lol.
Advertising is both expensive and addictive. I decided on very low cost adverts because, let's face it, I don't expect to make my fortune quite yet and didn't want to end up spending more than my eventual royalties. I did a few banners, then seeing my book out there got into my blood and I paid for a main-page cover...I was lucky to get it thanks to a cancellation, one needs to book these slots months in advance. There is suprisingly cheap advertising options out there, and surpisingly expensive ones. No surprise, the pricier sites have more traffic, so it's a balance game of where you want to be seen and how much you're prepared to pay. Most sites will let you put up an advert for a fee, and it can be kinda fun trawling through the web to see where you'd like to be.
Thankfully, Carina Press did a lot of advertising for us as well, which took some of the burden from me. It was an amazing surprise to find my book advertised on bigger sites that I hadn't known about. As this part of their launch campaign, I'm not expecting personal ads next time round, but as a publisher they still do a lot of advertising all over the place.
Does advertising work? I looked long and hard for the answer to this without success. It's not easy to link in stats for advertising to sales. Not even a click-thru rate is dependable. Some of my adverts linked straight to my book on the Carina Press site, so I couldn't monitor this. Of the ads that I linked to my author web site, the click rate wasn't fantastic. To be honest, I spend a lot of time on these various romance sites and, being bombarded with their ads from all sides, seldom click through myself unless I spot something totally awesome or, more likely, a reminder of an author I already love who has a new release.
BUT, as a debut author, one has to get your name out there and I do believe that adverts are one of the main methods of doing this beside reviews. It doesn't matter that people don't click through. It's good enough for them to see my cover everytime they go to that page and hopefully something sticks. Hopefully, the next time they're browsing an online store and my book comes up, the memory will trigger familiarity, enough so for them to click and read a little more instead of their eyes just rolling over my lonely title. So, was it a mistake to go the low cost option instead of splashing out big? Probably, considering I do think advertising pays and the more you spend, the more you get back. Any regrets? None except the reality that I'm not a millionare and had a restricted budget, lol. We do only what we can.
I'm not sure my ramblings here are actually of any help or even relevant to any other author, it's very much a case of what works for you as an individual and what you're able to cram into your day. But this is a recounting of the start of my journey, a journey I hope I still have a very long road to travel on before it's over.
I'd love to hear comments and/or advise from everyone
But then came the bubbly, the blog, the website, author loops, twitter, FB... sound hectic? Yes, suddenly I had to vamp up my online presence and learn to use twitter (all in between five rounds of edits) But many hours/days/weeks were totally wasted by me basking in that dream where I was actually, finally going to be published.
I didn't start writing again until a month after my release date - I had four chapters and about 4 months more work, my publisher's production lead-time is currently 7-9 months and that meant that including the 6 weeks initial submission time, I was going to go over into a two year gap between books (and that's if they actually wanted my new story) Not a good scenario. So I put my historical wip on hold, pulled out an old romantic comedy story, stripped it to the bone and rewrote it in a month, subbed it, and two weeks ago got the fabulous news that Carina Press loved it and wants it. Even so, its release date will be fall next year, which is still a large gap in the epubbing business.
Was it a mistake to wallow in the mudbath of success for so long without getting down to the business of writing? Definitely. Do I regret it? No, I'd do it over exactly the same. It took almost 10 years of hard work, anguish, screaming, doubting and undulating hills of hope and dashed dreams to get to that point, I guess I deserved a little downtime to enjoy the view from the top of the rocky cliff.
Next to actually writing the book, marketing is the next most important thing. And this is where some people have a natural ability to excel. Me? Not so much. My first blog tour was a little dour, each visit was purely about my book, excerts, etc. Mistake? Not sure, but I like the way some other authors bring diversity into their blog tour, sometimes they don't even mention their book (but there's always an image and buy link). Regrets? I don't think I had the time to dream up 20 wonderful and unique topics, but I'll see what I can do next time round. I'd probably spread the tour over two months as well to give me space and keep the interest going longer. With an ebook, there's no reason to cram everything into your release month.
Carina Press makes all their books available at NetGalley for a few months, this is a site where book bloggers and reviewers can request books for review. Basically, the reviewers come to you instead of the other way around. Great for business. I got reviews from sites I never knew existed. I didn't feel comfortable commenting on those sites, but in some cases the reviewer started following me on twitter and I did respond to them there, thanking them for the review. I also try to retweet their other reviews when I come across them, for which they're always grateful...you know what they say about spreading the love.
I did personally email a few review sites where I wanted to reviewed, about half of them have done the review, other may or may not, once again it's a case of wait and see. Sending out my book for review swept me straight back into the whole submit and rejection circle. Not even the bad reviews were as terrible as the one response I got that said, 'Thanks, but no thanks.'
Reviews are critical, however, and there were some of the more acerbic sites I cowered from sending to. These sites also tend to have high traffic, so this was probably a mistake. Being a debut author, however, each review was an emotional rollercoaster. No matter how much I schooled myself about personal likes and dislikes, no matter how many times I reminded myself that you can't please everyone, each review was personal and there were days when I snapped my laptop shut and believed I sucked. So how can I regret sparing myself from being shredded to pieces? Having my next book contract, though, has been a massive confidence boost and, I hope, I'll be braver next time. I will have to wait and see, lol.
Advertising is both expensive and addictive. I decided on very low cost adverts because, let's face it, I don't expect to make my fortune quite yet and didn't want to end up spending more than my eventual royalties. I did a few banners, then seeing my book out there got into my blood and I paid for a main-page cover...I was lucky to get it thanks to a cancellation, one needs to book these slots months in advance. There is suprisingly cheap advertising options out there, and surpisingly expensive ones. No surprise, the pricier sites have more traffic, so it's a balance game of where you want to be seen and how much you're prepared to pay. Most sites will let you put up an advert for a fee, and it can be kinda fun trawling through the web to see where you'd like to be.
Thankfully, Carina Press did a lot of advertising for us as well, which took some of the burden from me. It was an amazing surprise to find my book advertised on bigger sites that I hadn't known about. As this part of their launch campaign, I'm not expecting personal ads next time round, but as a publisher they still do a lot of advertising all over the place.
Does advertising work? I looked long and hard for the answer to this without success. It's not easy to link in stats for advertising to sales. Not even a click-thru rate is dependable. Some of my adverts linked straight to my book on the Carina Press site, so I couldn't monitor this. Of the ads that I linked to my author web site, the click rate wasn't fantastic. To be honest, I spend a lot of time on these various romance sites and, being bombarded with their ads from all sides, seldom click through myself unless I spot something totally awesome or, more likely, a reminder of an author I already love who has a new release.
BUT, as a debut author, one has to get your name out there and I do believe that adverts are one of the main methods of doing this beside reviews. It doesn't matter that people don't click through. It's good enough for them to see my cover everytime they go to that page and hopefully something sticks. Hopefully, the next time they're browsing an online store and my book comes up, the memory will trigger familiarity, enough so for them to click and read a little more instead of their eyes just rolling over my lonely title. So, was it a mistake to go the low cost option instead of splashing out big? Probably, considering I do think advertising pays and the more you spend, the more you get back. Any regrets? None except the reality that I'm not a millionare and had a restricted budget, lol. We do only what we can.
I'm not sure my ramblings here are actually of any help or even relevant to any other author, it's very much a case of what works for you as an individual and what you're able to cram into your day. But this is a recounting of the start of my journey, a journey I hope I still have a very long road to travel on before it's over.
I'd love to hear comments and/or advise from everyone
Labels:
Betrayed,
Claire Robyns,
How Publishing Works
Monday, December 14, 2009
Publishing as a business
Just how badly do you want to be a paid, professional writer?
If you are serious about being published, here are a few basic suggestions to follow:
1. Write! Don't just talk about it or plan how you're going to do it, or dream about the life you'll lead when you are published.
2. Write Regularly. Ask any published writer and they'll tell you that writing is about discipline way more than it is about inspiration. Don't wait for those rare moments when the muse strikes. Write every day, even if it is only an hour a day. Put yourself in the right place for the muse to come find you.
3. Develop your craft. Published writers often talk about how they never stop learning. For me, that's part of the fun of this journey toward publication, that I'm always learning new things. Never rest on your laurels; always keep improving your skills.
4. Treat this as a career, not as a hobby. This is more important than it sounds. You cannot expect other people (editors, agents etc) to take you seriously as a writer if you don't take yourself seriously.
5. Learn the business. Yes, you're an artist, but it still helps to know the business end of the industry you're trying to break into. And I don't just mean reading the types of books published by the publishers you're targeting (though that goes without saying). Learn about how royalties work, what trends are developing in publishing, which imprints are opening/closing, what the agents are saying on their blogs. Learn, learn, learn.
6. Finally, and perhaps most importantly, behave like a published writer. You can start small by printing business cards, starting a blog, developing a web presence. But even if you are not yet in the public eye, remember that everything you say and do in the public arena should be professional. In every correspondence with editors or agents, no matter how hurt or rejected you feel, stay courteous. In everything you do and say, be polite. And that includes Facebook. One day you plan to be a public icon - and you don't want to be remembered as a person who bad-mouthed a certain agent or editor or writer. You want to be remembered as that incredible writer who is also a really nice person. At least I do!
Is there anything else you can think of to add to this list? All comments welcome.
If you are serious about being published, here are a few basic suggestions to follow:
1. Write! Don't just talk about it or plan how you're going to do it, or dream about the life you'll lead when you are published.
2. Write Regularly. Ask any published writer and they'll tell you that writing is about discipline way more than it is about inspiration. Don't wait for those rare moments when the muse strikes. Write every day, even if it is only an hour a day. Put yourself in the right place for the muse to come find you.
3. Develop your craft. Published writers often talk about how they never stop learning. For me, that's part of the fun of this journey toward publication, that I'm always learning new things. Never rest on your laurels; always keep improving your skills.
4. Treat this as a career, not as a hobby. This is more important than it sounds. You cannot expect other people (editors, agents etc) to take you seriously as a writer if you don't take yourself seriously.
5. Learn the business. Yes, you're an artist, but it still helps to know the business end of the industry you're trying to break into. And I don't just mean reading the types of books published by the publishers you're targeting (though that goes without saying). Learn about how royalties work, what trends are developing in publishing, which imprints are opening/closing, what the agents are saying on their blogs. Learn, learn, learn.
6. Finally, and perhaps most importantly, behave like a published writer. You can start small by printing business cards, starting a blog, developing a web presence. But even if you are not yet in the public eye, remember that everything you say and do in the public arena should be professional. In every correspondence with editors or agents, no matter how hurt or rejected you feel, stay courteous. In everything you do and say, be polite. And that includes Facebook. One day you plan to be a public icon - and you don't want to be remembered as a person who bad-mouthed a certain agent or editor or writer. You want to be remembered as that incredible writer who is also a really nice person. At least I do!
Is there anything else you can think of to add to this list? All comments welcome.
Labels:
How Publishing Works
Tuesday, September 1, 2009
How Publishing Works - Finale
The Call. This is the moment we all dream of. And it's just as wonderful a moment for your editor. This is the type of call they like to make in person, just so they can share the excitement.
After you've had the happy news, you'll be given a contract to read through and sign. Don't be afraid to ask questions or take advice. It's a legal contract, so no-one is going to mind that you make sure you're happy with what you're signing.
By now it's probably at least a year since you first submitted this manuscript and you probably (hopefully!) have another completed manuscripts ready and waiting to send off. But take a deep breath, because first you'll probably have to do yet more revisions before this manuscript is finally ready to hand over to the copy editors. The writer's involvement doesn't end here, though. You'll be expected to check the line edits and galleys. At each stage there will be more revisions and more checks.
Meanwhile, the publisher will have decided a release date, based on their schedules. If you've sold to Harlequin, the release date is likely to be at least a year away. Scheduling has to take into consideration a great many factors: novels already contracted, holiday and seasonal books, other titles with similar content already on the schedule etc. The same applies to the naming of your novel. It's a complicated process and the writer doesn't get much say. Harlequin writers are asked to fill in an Art Fact sheet which the design team will use to design the cover, which is more input than many writers get to make at this stage.
As soon as a release date has been agreed, the marketing team will roll into action. Promotion is a huge part of publishing a novel and will vary for every book. Harlequin has the advantage of a huge marketing machine, but every writer is still expected to do as much marketing as they can. If you don't already have a blog or a website, now is a good time to start. Think about how you can help launch your own book, be prepared to do interviews and put yourself out there.
Many publishers, especially mainstream publishers, are spending less and less on promoting books, so you need to do as much as you can to help them. They'll also be a lot more willing to spend on you if they see you're willing to meet them half way. Tips on how to market yourself and your novel abound on the internet. Plan a launch party. Take time out from your next book to celebrate how far you've come.
By the time your big day rolls around and your book hits the shelves, make sure you're ready with the next manuscript. Publishers (and especially romance publishers) do not want One Hit Wonders. They want consistent writers who will grow a following and publish yet more books.
Are you ready to be that person? Then go back to the first post of this series and start at the beginning. Butt in chair, hands on keyboard.
After you've had the happy news, you'll be given a contract to read through and sign. Don't be afraid to ask questions or take advice. It's a legal contract, so no-one is going to mind that you make sure you're happy with what you're signing.
By now it's probably at least a year since you first submitted this manuscript and you probably (hopefully!) have another completed manuscripts ready and waiting to send off. But take a deep breath, because first you'll probably have to do yet more revisions before this manuscript is finally ready to hand over to the copy editors. The writer's involvement doesn't end here, though. You'll be expected to check the line edits and galleys. At each stage there will be more revisions and more checks.
Meanwhile, the publisher will have decided a release date, based on their schedules. If you've sold to Harlequin, the release date is likely to be at least a year away. Scheduling has to take into consideration a great many factors: novels already contracted, holiday and seasonal books, other titles with similar content already on the schedule etc. The same applies to the naming of your novel. It's a complicated process and the writer doesn't get much say. Harlequin writers are asked to fill in an Art Fact sheet which the design team will use to design the cover, which is more input than many writers get to make at this stage.
As soon as a release date has been agreed, the marketing team will roll into action. Promotion is a huge part of publishing a novel and will vary for every book. Harlequin has the advantage of a huge marketing machine, but every writer is still expected to do as much marketing as they can. If you don't already have a blog or a website, now is a good time to start. Think about how you can help launch your own book, be prepared to do interviews and put yourself out there.
Many publishers, especially mainstream publishers, are spending less and less on promoting books, so you need to do as much as you can to help them. They'll also be a lot more willing to spend on you if they see you're willing to meet them half way. Tips on how to market yourself and your novel abound on the internet. Plan a launch party. Take time out from your next book to celebrate how far you've come.
By the time your big day rolls around and your book hits the shelves, make sure you're ready with the next manuscript. Publishers (and especially romance publishers) do not want One Hit Wonders. They want consistent writers who will grow a following and publish yet more books.
Are you ready to be that person? Then go back to the first post of this series and start at the beginning. Butt in chair, hands on keyboard.
Monday, August 24, 2009
How Publishing Works - Part Two
Okay, so this is a little later than 'tomorrow' but here goes ...
Your partial manuscript arrives at the publishing house (or in the submissions email inbox). You should hopefully receive an acknowledgement of receipt. If you've submitted to Harlequin / Mills & Boon, you'll receive a snail mail confirmation with a reference number, possibly in addition to an email confirmation if you've subbed to one of the lines that accepts email subs. Your submission will be handed to whichever editor is 'on duty' that day. If you've submitted to an epublisher you should receive an acknowledgement via email and your submission will be handed to the relevant editor. No matter what publisher you submit to, the average wait time on a response is 3-4 months!
If the response is a rejection, allow yourself a short period to mourn (24 hours is good) then put it behind you and move on to the next project. If you're like me, by the time you receive your first rejection you will already have learned so much during your wait that you'll have a good idea how you can make the next one better. At a later date, we'll post about the different types of rejection letters and what you can learn from them.
However, if you've received a request to see your full manuscript, dance up and down for joy and break open the champagne. You are now officially out of the slush pile! Before you send off your complete manuscript, take note of any suggestions you may have received in your request letter. This is the start of your working relationship with an editor and you want to show that you can work with them and learn from them.
Again, expect the editor to take anywhere from 3-9 months to respond to your full manuscript submission. All editors are busy people, especially in these days of budget and staff cut-backs, so be patient. At this stage, you could receive a rejection, a request for a different manuscript, or a request for revisions. All of these are invaluable, because by this stage you'll be getting feedback on your writing.
A revision request, while it is exciting and worth celebrating, is also likely to be very scary. As with a rejection, allow yourself a couple of days to get over it. Your initial reaction may be "but that's a huge re-write! How am I ever going to do this?". Take a day or two, then re-read the letter. Break it down into manageable bits, starting with the big stuff and working down to the smaller stuff. Take your time and do it right. It'll be worth it.
Unfortunately, revision requests can still lead to rejection ... or to yet more revision requests. There are enough bruised writers out there who can tell you that they've been rejected after multiple revisions. It's heart-breaking, but you're so close. Don't give up. With every story you write, you're learning and growing. In publishing, perseverance pays off. There are many successful published writers out there who wrote 10 or more manuscripts before they finally sold.
One day, you'll hopefully get The Call from your editor and you'll make a sale. By that time, your manuscript will have passed up the chain of command within the publishing house and will have been approved at the highest editorial level. But this is still just the very beginning ....
For what happens after The Call, watch out for our next post.
Your partial manuscript arrives at the publishing house (or in the submissions email inbox). You should hopefully receive an acknowledgement of receipt. If you've submitted to Harlequin / Mills & Boon, you'll receive a snail mail confirmation with a reference number, possibly in addition to an email confirmation if you've subbed to one of the lines that accepts email subs. Your submission will be handed to whichever editor is 'on duty' that day. If you've submitted to an epublisher you should receive an acknowledgement via email and your submission will be handed to the relevant editor. No matter what publisher you submit to, the average wait time on a response is 3-4 months!
If the response is a rejection, allow yourself a short period to mourn (24 hours is good) then put it behind you and move on to the next project. If you're like me, by the time you receive your first rejection you will already have learned so much during your wait that you'll have a good idea how you can make the next one better. At a later date, we'll post about the different types of rejection letters and what you can learn from them.
However, if you've received a request to see your full manuscript, dance up and down for joy and break open the champagne. You are now officially out of the slush pile! Before you send off your complete manuscript, take note of any suggestions you may have received in your request letter. This is the start of your working relationship with an editor and you want to show that you can work with them and learn from them.
Again, expect the editor to take anywhere from 3-9 months to respond to your full manuscript submission. All editors are busy people, especially in these days of budget and staff cut-backs, so be patient. At this stage, you could receive a rejection, a request for a different manuscript, or a request for revisions. All of these are invaluable, because by this stage you'll be getting feedback on your writing.
A revision request, while it is exciting and worth celebrating, is also likely to be very scary. As with a rejection, allow yourself a couple of days to get over it. Your initial reaction may be "but that's a huge re-write! How am I ever going to do this?". Take a day or two, then re-read the letter. Break it down into manageable bits, starting with the big stuff and working down to the smaller stuff. Take your time and do it right. It'll be worth it.
Unfortunately, revision requests can still lead to rejection ... or to yet more revision requests. There are enough bruised writers out there who can tell you that they've been rejected after multiple revisions. It's heart-breaking, but you're so close. Don't give up. With every story you write, you're learning and growing. In publishing, perseverance pays off. There are many successful published writers out there who wrote 10 or more manuscripts before they finally sold.
One day, you'll hopefully get The Call from your editor and you'll make a sale. By that time, your manuscript will have passed up the chain of command within the publishing house and will have been approved at the highest editorial level. But this is still just the very beginning ....
For what happens after The Call, watch out for our next post.
Thursday, August 20, 2009
How Publishing Works - Part One
You've completed your manuscript. What comes next?
Firstly, congratulate yourself on an amazing achievement. Most people who say they'll write a book, or who start writing one, never finish. You're already ahead.
Next, no matter how great you and your friends think your book is, find someone (or a couple of someones) who know your genre and ask them to crit your work. Do not expect them to pat you on the back. A crit partner's job is to find the holes in your work and to help you make your writing stronger. That inevitably means some criticism in with the praise. But this is a whole topic on its own, which I'll address in a future blog post. Alternately, you can pay a professional to edit or critique your manuscript.
When you finally think your manuscript is as strong as you can possibly get it, you need to submit it. This is an important step. You cannot believe how many people complete novels and then never send them out into the world. Yes, you should be writing because you love writing, but you are also denying yourself the incredible opportunity to be published.
Now you are ready to hit send - but where do you send it? Research the options available for your kind of novel. Who publishes that genre? Do they accept unsolicited submissions, or do they only accept submissions via agents? Then check out the submission guidelines for the publishers or agents you've chosen to target. Many agents or editors (the people at the publishing houses who read the submissions) want a query letter, a synopsis and the first 3 chapters. But they all differ in what they want and how they want it. Make sure you give them what they want or you will be sabotaging your own submission.
Once you've hit 'send' on the email or handed the envelope across the post office counter, be prepared for a very long wait. Publishing is probably the slowest business in existence. The best thing you can do now is start work on your next project and try to forget that your little baby has left home.
What happens next?
Well this post is already long enough, so check in tomorrow for Part Two.
Firstly, congratulate yourself on an amazing achievement. Most people who say they'll write a book, or who start writing one, never finish. You're already ahead.
Next, no matter how great you and your friends think your book is, find someone (or a couple of someones) who know your genre and ask them to crit your work. Do not expect them to pat you on the back. A crit partner's job is to find the holes in your work and to help you make your writing stronger. That inevitably means some criticism in with the praise. But this is a whole topic on its own, which I'll address in a future blog post. Alternately, you can pay a professional to edit or critique your manuscript.
When you finally think your manuscript is as strong as you can possibly get it, you need to submit it. This is an important step. You cannot believe how many people complete novels and then never send them out into the world. Yes, you should be writing because you love writing, but you are also denying yourself the incredible opportunity to be published.
Now you are ready to hit send - but where do you send it? Research the options available for your kind of novel. Who publishes that genre? Do they accept unsolicited submissions, or do they only accept submissions via agents? Then check out the submission guidelines for the publishers or agents you've chosen to target. Many agents or editors (the people at the publishing houses who read the submissions) want a query letter, a synopsis and the first 3 chapters. But they all differ in what they want and how they want it. Make sure you give them what they want or you will be sabotaging your own submission.
Once you've hit 'send' on the email or handed the envelope across the post office counter, be prepared for a very long wait. Publishing is probably the slowest business in existence. The best thing you can do now is start work on your next project and try to forget that your little baby has left home.
What happens next?
Well this post is already long enough, so check in tomorrow for Part Two.
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