Showing posts with label Rebecca Crowley. Show all posts
Showing posts with label Rebecca Crowley. Show all posts

Wednesday, June 21, 2017

Meet ROSA member, Rebecca Crowley



In an effort to really get to know each other, we thought it would be a good idea to publish a series of interviews with fellow ROSA members to learn more about who they are, what they've published and what makes them tick. We'd like ALL our members to feature, so please drop our chairperson, Romy an email on romy@romancewriters.co.za and she'll send you some questions to answer.

Today we put the spotlight on ROSA's Deputy Chairperson, Rebecca Crowley!


What is the last romance novel you read? 

His Ex's Well Kept Secret by Joss Wood (also a ROSA Member)

What type of Romance / what genre do you write?

Contemporary

Are you published yet? If so, with whom?

Current series (Atlanta Skyline) releasing from Kensington's Lyrical Press

What do you love most about writing?

Getting to know and inhabit characters whose lives are so different to mine!

And what is your biggest challenge as a writer?

Maintaining a daily word count. Between full-time work and toddler mamahood - plus a husband I like to see occasionally! - it's a struggle.

Do you have a playlist while you write?

I usually pick a "theme song" for each book but prefer to write without music playing.


What was the inspiration behind your last book?

The last book I completed is Saving Hearts, the third in the Atlanta Skyline trilogy. It's about a goalkeeper with a gambling addiction, and was inspired by an article I read about what makes a great goalkeeper. It's a strange, solitary position, and I wanted to explore what kind of man could excel in it.

What is your proudest achievement as a writer?

It might be cliche, but I really treasure every single contract I'm offered. That a publisher takes a leap of faith on my story and puts up their own money to wager on its success is the best feedback I could ever receive.

What advice would you give someone who tells you they want to write?

Commit to one project and see it through before starting anything else! Ten half-finished manuscripts will get you nowhere fast.

If you could give your life / dreams / goals a hashtag, what would it be?

#adventure, because it's what I live for. :-)

What keeps you motivated to write?

It's not so much motivation as compulsion. I'd write even if I never published a word, I think.

What is your writing schedule like - do you write every day / a certain time of day?

I'm much more committed when I'm on deadline - I try to get in at least 1K words per day, usually in the late afternoon when I have some breathing space in my work day and haven't yet gone home to the domestic onslaught. When I'm not on deadline I can be very, very unproductive for long stretches of time.

Tell us about the first love story you ever wrote.

When I was 9 I wrote a story about a girl who caught a wild turtle and then sorrowfully released it again - that was certainly a tale of love found and lost!

What is the best part about being part of ROSA?

I love ROSACon, and less specifically cherish the connections I've made with other writers, as writing can be such an isolating experience.

Connect with Rebecca!

rebeccacrowley.net
facebook.com/rebeccacrowleywrites
Twitter: @rachelmaybe

Friday, November 21, 2014

Conference Report: Rebecca Crowley's talk on Self-Editing

Thank you to author Rae Rivers for her report back on Rebecca Crowley's workshop on Tips for Self-Editing on the Sunday morning at ROSACon2014.

Report by Rae Rivers

Day 2 of the conference dawned bright and early as we all gathered with great eagerness, notebooks in hand, to listen to Rebecca Crowley share some self-editing tips.

I adore the storytelling aspect of writing a book but sometimes find the editing aspect a bit daunting. The more books I’ve published, the sharper my editing eye has become – even though I still have heaps to learn so I was so keen to attend this particular session. For me, looking at my book objectively and trying to find all its faults is a bit overwhelming so it was useful that Rebecca broke down the self-editing tips into three parts:

• Plot, Conflict and Characters 
Is your plot, conflict and characters well defined? Are you able to sum up your story into a synopsis or a one-sentence elevator pitch?

• Pacing and Consistency 
Is there consistency between chapter and scene lengths? She suggested keeping an eye on word count to ensure that lengths are consistent. Are the details correct and constant – clothing, time sequence, setting, hair/eye colour etc. Another tip is to check these details after edits too as inconsistencies sometimes occur during the editorial process.

• Polish and Proofread
Finally, it’s critical to give your book one last read to polish and proofread. Check for words that are often repeated, delete unnecessary dialogue tags, watch out for repetition and passive voice and be wary of purple prose. (I for one, found that last tip interesting!)

It was wonderful to see such an eager audience, share ideas and gather some tips. A big thank you to Rebecca for sharing her knowledge and experience!






Wednesday, November 5, 2014

Conference Report: Rebecca Crowley's talk on Standing out from the Slush Pile

Today's report backs on #ROSACon2014 come courtesy of Erich Viedge and author Rae Rivers. Rebecca's talk on How to stand out from the slush pile followed the lunch break on the Saturday of the conference.


Report by Rae Rivers

Every writer serious about publishing wants to stand out from the slush pile. Thankfully, in our world of technology, the internet is full of information, advice and tips on this topic. Usually, the advice comes from editors or agents so it was so interesting to hear that Rebecca was offering advice from a reader’s perspective.

Several years ago, before becoming a published author herself, Rebecca worked as a freelance reader for a publishing house. A professional reader – of which she was paid to read manuscripts.

So what does a professional reader working for a publishing house do? As we all know, editors are super busy and not always able to sift through their never-ending slush piles so they employ readers familiar with the genre with a love of reading to do this job for them. Although being a professional reader may sound like fun, I imagine it must be a challenge too as the reader has to sift through a lot of mediocre books in search of a few gems. (I was amazed to learn that in the two hundred plus manuscripts Rebecca had read, only a few were contracted!) Each reader receives a few books to read and has to offer a report on each one, along with a personal recommendation. (Either Reject, Reject with Encouragement, Accept with Revisions etc.)

In essence, a professional reader is often what stands between a newbie manuscript and an editor. If she doesn’t approve for whatever reason, chances are the manuscript won’t make its way further.

So it was from this perspective that Rebecca offered advice and tips on how to stand out from the slush pile ... how to get past the gatekeeper between a book and an editor. It was so interesting to hear what worked for her as a reader – what captivated her, maintained her interest and kept her turning the pages. This was usually a combination of several things: author’s voice, consistency, creativity, character development, conflict etc.

This was a great behind-the-scenes glimpse of what happens in the acquisition process. A big thank you to Rebecca for sharing her experience.

Report by Erich Viedge

Rebecca’ Crowley’s session Standing out from the Slush Pile was a real highlight of ROSACon 2014.

The conference organisers made sure the speakers had real experience that could help real authors by giving them the inside scoop. And that’s what made Crowley’s talk so compelling.

In her 20s, Crowley worked in publishing in New York. To supplement her tiny income she found a gig as a “freelance reader” for a publishing house. This is the person who is going to read your manuscript. It’s not an editor, it’s a cynical 23-year old in a one-bedroom flat on the seventh floor of a New York apartment block in a building without a lift.

She’s doing it for $30 a manuscript — the longer books paid as much as $50 — and she’s certainly not doing it for fun. In fact, she was reading books outside of the genres that she liked! On the contrary — she’s doing it, said Crowley, for the money. And the $30 per manuscript meant so much to her at the time that she would drop the completed manuscripts and reports off in person so she didn’t have to waste two days in the New York postal system.

The result of all this industry?

Crowley says she must have read north of 200 manuscripts, and she approved only 10 of them for publication. And even that wasn’t enough. Some of the books she approved weren’t published by the publishing house she was working for.

The biggest AHA for the audience was that Crowley wasn’t looking to Accept a manuscript — she was looking for reasons to Reject.

If she could see in the first few pages that this book wasn’t going to pass muster, then she would skim the rest of it to get enough plot points to fill in her report, stamp it with a big red R and exchange it for the next one.

She took the audience through four reports that she had written for her publishing house. A “Reject,” a “Reject with Encouragement,” an “Accept with Revision” and finally, “Accept.”

She spoke through the reasons for her choices and she went a bit further. She looked for the book online. The rejected manuscripts seemed to have disappeared without a trace. And one manuscript she said had lots of problems in it had been picked up by another publisher; but the reviews on Goodreads.com were scathing of the book, which made Crowley feel vindicated.

She gave us concrete tips on standing out and being one of the 10 in 200 that get some form of “Accept” stamp — and she cautioned that the reader has no influence over the rejection slip that lands on the author’s desk. She may have loved the book, but felt it was wrong for the imprint, and the author may still have received a form Rejection slip. She had no way of knowing.

We in the audience, felt encouraged and emboldened. If we could impress today's 20-something-year-old Crowley equivalent, we had a fighting chance of being in the five percent. And if we got a form rejection, maybe, just maybe, there was a freelance reader out there who loved the book — and whose recommendation was spiked by the editor.

A very worthwhile session for any author.


Next up: Tomorrow we'll bring you the report backs on Suzanne Jefferies' talk on Writing Dialogue.

Rebecca's rapt audience



Wednesday, March 5, 2014

Making SAPS Sexy

With the Oscar Pistorius trial shining new light on the frequent failings of SAPS's homicide detectives, what better time to read about another, better aspect of South African law enforcement?

Yesterday my first release from Samhain Publishing hit digital shelves! SECURE TARGET is a romantic suspense featuring a sexy South African super-cop, a member of the Special Task Force, SAPS's elite tactical unit. Hailing from the Western Cape, Afrikaans-speaking Sergeant Bronnik Mason finds himself halfway around the world as he pursues an evasive serial killer. He’s sworn to bring him down at any cost, but when it comes to safeguarding the killer’s next target – beautiful Lacey Cross – Bronnik realizes this case could put his professional boundaries to the test.

This book was inspired by my first-ever trip to South Africa, and is set partially in Cape Town! I hope it paints a slightly more optimistic picture of South African law enforcement than we usually see in the news. Read on for an excerpt and all the links you need to find Bronnik and Lacey on the web!


SECURE TARGET is available now! From Samhain * Amazon * Amazon UK * Barnes & Noble * Kobo * iTunes


Excerpt:

Lacey wasn’t particularly tall—maybe about five-five, Bronnik estimated—but when she emerged from the bathroom in her running shorts, he suspected at least half of that must be leg. With her thick, shiny hair pulled up high and a tight tank top completing the outfit, he briefly wished Hardy would choose a victim who was less likely to give him inappropriate dreams.

“Let’s go,” he said gruffly, preceding Lacey into the corridor. The Beretta was strapped to the inside of the windbreaker he’d worn over his T-shirt, and he touched it lightly as he checked the hallway.

“We’ll take the back stairs.” He put his hand on her elbow, moving in near enough that her hip brushed his thigh. Keeping her close to his side was an essential safety measure, but he found the intoxicating, fruity scent of her shampoo irritatingly distracting.

When they turned a corner in the hallway, a stout, older woman in a blouse and long skirt came trudging toward them. Bronnik slid his left arm across Lacey’s back, pulling her tightly against him.

His right hand tensed in readiness to draw his weapon as they approached the woman, at whom he smiled broadly.

She returned his smile and continued past them.

“What are you doing?” Lacey whispered hotly, wriggling at his side. Satisfied there was no threat, he let her go.

“Hardy loves a disguise. In Italy he dressed as an office cleaning woman.”

Lacey’s expression was indignant. “I could feel your gun,” she spat.

“My apologies,” he replied dryly. “Next time just let me know which weapon you’d prefer I use to defend you against a serial killer. I could ask the front desk for a free toothbrush?”

Lacey crossed her arms sulkily, which he chose to ignore.

The hotel’s fitness center was a small room at the top of the tall building, with a handful of cardio machines and a single rack of weights. One wall was composed of floor-to-ceiling windows, which the treadmills faced, however the view was only of the roof of the low-rise strip mall across the street.

Lacey hopped on one of the treadmills and plugged in her earphones. Within seconds she’d cranked the machine up to a speed he had to admit was impressive, and he could just make out the sound of the music pumping from her iPod.

Bronnik slipped off his windbreaker and arranged it on the treadmill’s control panel so the Beretta was concealed by the jacket, but its butt emerged slightly into easy reach. The gym was empty, and the combination of the darkness outside and the fluorescent lighting inside gave the window in front of him a degree of reflection, so he could see if anyone came in the door behind them.

As satisfied as he was going to be, he punched a brisk speed into the machine and began to jog. Although the doctor had cleared him to return to exercise two months earlier, he still felt a slight tugging at the scar on his left side. He cursed inwardly—it seemed like there was no aspect of his life Hardy wasn’t intent on screwing up.

He rolled his shoulders, willing himself to loosen up, to step away from the tension and paranoia for just a minute. He thought about the ocean-side path where he ran in Cape Town, a strip of pavement between the road and the sea. Luxury sea-view high-rise apartment buildings lined the far side of the road, but on the path there was only a railing between the sidewalk and the rocky coast. Outside the snow had finally stopped falling, and he focused on remembering the salty sea air that often gusted over that railing. Waves crashing against the rocks, flocks of birds alighting from the scrubby trees, the muted tap of his footfalls in the early hours of the morning, the hours when all of the crime and violence that marred his beloved homeland weren’t yet his responsibility, and he was free to run, to revel in the raw, unapologetic beauty of South Africa.

He was so consumed by his thoughts, he almost didn’t notice the slight movement on the roof of one of the stores in the strip mall—but just as on his morning runs, on some level he was always alert to danger. He squinted into the darkness, one hand resting on his weapon, when the glint of metal in the dim light of a distant streetlight set alarm bells clanging through his mind.

“Down, down!” he shouted, and tackled Lacey to the floor just as the bullet hit the window.

Wednesday, December 4, 2013

A Different Kind of December

I can't believe it's December already - and that's mostly because it's summer outside! This is my first Christmas in the Southern Hemisphere and it's a trip.  Even more confusing than wearing short dresses in December is the obvious infiltration of winter imagery into the very summery South African holiday season. The other weekend I went to the shops in pursuit of suitably African Christmas cards, but almost everything I saw had snow, snowmen, snow-covered evergreen trees, and people wearing scarves and gloves!

In a season that's all about tradition, sometimes life intervenes and we have to change the way we've always done things. For me, it's spending Christmas in a rural chalet enjoying summer weather instead of in my Kansas hometown. And for Beth Tate, the heroine of my holiday novella HERO'S HOMECOMING, it means abandoning her plan for a solo Christmas and driving through a blizzard to retrieve the man with whom she had a whirlwind romance - and who broke her heart when he dropped her with barely a word.

Chris is heading home for a traditional family Christmas on his parents’ ranch in northern Kansas, and although the festivities will be the same, this year something is very different - two months earlier he was severely wounded in combat, and lost his eyesight as a result. When a blizzard strands him at the regional airport he has no choice but to contact the woman who meant everything, and whom he has to protect from the burden of his disability at all costs.

Neither Chris nor Beth end up having the Christmas they expect, but they both get the homecoming they need. And although I'll miss the smell of real pine trees and the way Christmas lights brighten up dark winter evenings, I'm so excited to spend Christmas morning enjoying warm sunshine, the rugged beauty of the South African countryside, and if we're lucky, maybe even some monkeys!

How have your holiday traditions evolved over the years? Is there anything you're especially looking forward to this season?
--

HERO'S HOMECOMING is available on its own: Carina Press * Amazon * Amazon UK * Barnes & Noble * ARe * Audible

Or as part of the GIFTS OF HONOR duology: Carina Press * Amazon * Amazon UK * Barnes & Noble * ARe

Rebecca Crowley inherited her love of romance from her mom, who taught her to at least partially judge a book by the steaminess of its cover. She writes contemporary romance and romantic suspense with smart heroines and swoon-worthy heroes, and never tires of the happily-ever-after. Having pulled up her Kansas roots to live in New York City and London, Rebecca recently relocated to Johannesburg, South Africa.

Find her on the web at rebeccacrowley.net or on Twitter at @rachelmaybe.

Sunday, November 24, 2013

Excerpt from HERO'S HOMECOMING by Rebecca Crowley

My military holiday novella HERO'S HOMECOMING hit digital shelves on Thursday, both on its own and as half of GIFTS OF HONOR, one of Carina Press's holiday collections. I can't explain how proud I am of this novella, and that it appears beside the incredible STARTING FROM SCRATCH by Stacy Gail. Today I'm sharing an excerpt from the first chapter, which is the first appearance of the hero, Chris, an infantry officer recently wounded in Afghanistan.

--

Chris sat perfectly still amid the bustle and chaos of Manhattan, Kansas’s small regional airport. The normally quiet building, which consisted of little more than a check-in desk, a waiting area and a single departures gate, was teeming with holiday travelers delighted to have made it onto what would probably be the last flight to arrive before the blizzard dumped a predicted two feet of snow on the eastern part of the state.

Two children fought over a handheld video game. Their hassled mother halfheartedly scolded them, but
she was preoccupied with wondering aloud what was taking her sister so long to arrive to retrieve them. A group of soldiers discussed the trip to Washington, D.C., from which they were returning, and the marksmanship exhibition they’d taken part in there. Meanwhile another family—mom, dad and a young son—were walking toward him. He guessed from their earlier conversation that both were high school teachers in Dallas, returning to their mutual hometown for Christmas. Their voices hushed as they approached, and soon they came to a halt directly in front of him.

The father cleared his throat. “We just wanted to thank you for your service. We appreciate all that our
military does for our country.”

Chris nodded stoically. He knew he shouldn’t be ungrateful, but ever since he’d come back from Afghanistan he absolutely loathed the attention his uniform attracted. He hadn’t even wanted to wear his Army Service Uniform, but the hospital staff had encouraged him to wear something official in case he needed assistance and had to identify himself as military, and he couldn’t bring himself to put on his combat fatigues.

“That’s very kind, thank you.”

There was an awkward pause, and then the father continued, “Well, you have a merry Christmas.”

“You too,” Chris replied, and the family moved away. As soon as they were behind him, Chris heard the boy ask, “Why didn’t he want to shake your hand, Daddy?”

And in a whisper his father explained, “He just didn’t see it. He’s blind.”

Chris gritted his teeth against what was becoming an all-too-familiar sense of humiliation. Cringing, he let his sightless, useless eyes momentarily fall shut.

The hassled mother’s sister arrived. Chris heard the stress melt from the woman’s voice as she greeted her family, and he felt a twinge of jealousy. He’d insisted that he could travel home from the Brooke Army Medical Center in San Antonio by himself, and had dismissed his parents’ offer to fly down and meet him there. He’d taken the two short flights from San Antonio to Dallas and then Dallas to Manhattan with no problem, needing only minimal assistance, and was feeling triumphant when he came through the arrivals gate in Kansas. It was only as he stood near the baggage claim, waiting to hear his name called in a familiar voice or for the recognizable scent of his mother’s perfume to waft up to his side that he began to feel uncertain.

Then his phone had buzzed in his pocket and he took his mother’s borderline hysterical call, in which
she tearfully explained that the pickup was stuck in a snowbank somewhere near Route 77 and the roads going south were quickly becoming impassable. He’d assured her that he was fine, everything would be okay and he’d get himself to a hotel in Manhattan until the weather cleared. Then he stood stock-still, wondering what the hell he was going to do, for so long that an airport employee eventually came over and asked if he’d like to be shown to a seat.

Calling Beth had been inevitable from the moment he hung up with his mother, but that didn’t mean he
hadn’t spent a solid half hour racking his brain for any possible alternative. He couldn’t bring himself to call anyone from Fort Riley, not yet—he couldn’t bear the shame of his disability, his colleagues’ valiant efforts at concealing their pity or his own guilt at having survived an attack that claimed the lives of three men under his command. He didn’t know anyone else in town and the thought of asking airport staff for a taxi number, having to find the right bills to pay the driver and then navigating a hotel lobby on his own was simply too daunting after the two plane journeys he’d already undertaken that day.

And—if he was really, cruelly honest with himself—he wanted to be with Beth again, even if only to sit beside her in hostile silence for a ten-minute car ride. It would be as close as he would get to saying goodbye.

After the suicide bomber had penetrated the compound, after the days lost to anesthesia and painkillers,
after he woke up to discover that his world had shrunk to a shifting palette of grays and shadows, he’d known he had to hurt Beth to protect her. It was only fair—they’d spent less than a week together, and he couldn’t ask her to tie herself to him and take on the burden that he had become, especially since he knew she would unhesitatingly, ungrudgingly say yes. He knew this decision would have consequences, and he comforted himself with the knowledge that he was doing the right thing by letting her go.

“Chris?”

As if on cue, the voice that had haunted his waking hours for months was behind him, accompanied by the soft swish of a heavy coat and the scent of vanilla. He swallowed hard against a rush of nerves as he hastily brushed off the front of his uniform, although he knew full well that if anything was seriously amiss with his clothing he would be the last to know. He ran his hand through his hair, picked up the collapsible white cane he hated more than anything from the chair beside him and wished for the millionth time that he could see for himself whether the facial scarring was really as minimal as everyone assured him.

Then he stood and turned to face the only woman who’d ever mattered.

--

HERO'S HOMECOMING is available on its own: Carina Press * Amazon * Amazon UK * Barnes & Noble * ARe * Audible

Or as part of the GIFTS OF HONOR duology: Carina Press * Amazon * Amazon UK * Barnes & Noble * ARe

Rebecca Crowley inherited her love of romance from her mom, who taught her to at least partially judge a book by the steaminess of its cover. She writes contemporary romance and romantic suspense with smart heroines and swoon-worthy heroes, and never tires of the happily-ever-after. Having pulled up her Kansas roots to live in New York City and London, Rebecca recently relocated to Johannesburg, South Africa.

Find her on the web at rebeccacrowley.net or on Twitter at @rachelmaybe.