Friday, October 16, 2015

#ROSACon2015: Madri Victor on 'Hoe lyk die allerdaagse held?'

Thank you Elsa Winckler for this report on Madri Victor's presentation at #ROSACon2015.


ROSA konferensie: Hoe lyk die hedendaagse held: macho- of metroman?

Madri se vraag is, hoekom skep ’n skrywer ’n spesifieke tipe held? Gaan ons terug na die beeld van ons eerste liefde? Die neef/akteur/celeb op wie ons verlief geraak het, die macho-man wat duidelik in beheer van sake is en grense verskuif? Of is dit die metroman wat na jou luister en jou as sy eweknie beskou? Hoe lyk die hedendaagse held? Die een waarop lesers verlief raak?

Sy verwys na twee uiteenlopende bronne wat sy geraadpleeg het vir antwoorde: ʼn artikel deur “matchmaker” Carly Spindel en die twee sielkundiges (een klinies en een evolusionêr) Cindy Meston en David Buss se boek, Why Women Have Sex. Romanses gaan uiteindelik oor seks en die oploop na die oomblik. Self as is die romanse spierwit rein en skoon, weet die leser wat gebeur wanneer die karakters toegelaat word om verder te leef nadat jy die boek neersit. Meston en Buss het onderhoude gevoer met ʼn 1000 vroue van regoor die wêreld en in die proses 237 verskillende redes ge-identifiseer waarom vrouens seks het. Met hierdie navorsing kan hulle ook verduidelik wat dit is wat ons vroue aantreklik vind en hoekom dit so is:

Die lysie:
Grootte, oftewel lengte, maak saak
Atleties, fiks en reg vir aksie
Die reuk van verleiding
Die diep, sexy stem
Daar is iets in die manier waarop hy dans
Meer as ʼn mooi gesig

Slotsom:
So wat beteken al hierdie dinge vir die skrywer van romanses? Daardie stereotipiese held met die breë skouers, dun heupe, atletiese bou, sterk gesig wat so lekker na muskus ruik, is nie verniet ʼn stereotipe nie. Daardie held is in ons DNA, ons sal altyd hunker na hom. Maar vandag maak ons ander keuses, so in ʼn fiktiewe wêreld, die een wat ons as skrywers skep, kan ons “bad boy”, wat in realiteit jou dalk gaan verneuk, al die persoonlikheidseienskappe hê van die minder macho man. Ons breëbors man, sal dus integriteit hê. Ons sal op hom kan staatmaak. Hy sal leiding neem sonder om te oordonder. Meer as alles: hy sal ook weerloosheid kan wys. Omdat hy intelligent en selfversekerd is, omdat hy weet wie hy is en jou as sy gelyke sien. Omdat hy jou vertrou. En daar is bitter min dinge wat ʼn vrou se knieë presies so lam maak soos ʼn macho man wat ook weerloos kan wees.

Madri kom tot die slotsom, die hedendaagse held in romanses, is ʼn kombinasie van macho en metro – jy het albei, die wetenskap en die sielkunde, die fisiese en die persoonlikheid, nodig om jou leser te oorrompel.


Tuesday, October 13, 2015

#ROSACon2015: Malene Breytenbach on Research

Dr Malene Breytenbach, author of over 20 books, including historical as well as contemporary stories, spoke on Hoe om navorsing in jou roman te inkorporeer. Thank you to editor Carolyn Meads of NB-Uitgewers for this report on Malene's talk.


Vir doktor Malene Breytenbach is navorsing een van die lekkerste dele van die skryfproses. Dít het duidelik geblyk toe sy by ROSACon2015 haar navorsingsgeheime met liefdesverhaal- skrywers gedeel het.

“By alle boeke is ’n mate van navorsing noodsaaklik,” het Malene gesê. Dit is iets wat sy by al haar boeke – van moderne tot historiese liefdesverhale en romanses met ’n mediese agtergrond – van groot waarde ag. Sy het daarop gewys dat navorsing die basis vorm vir die ontwikkeling van karakters en ruimte, waaruit die storie voortvloei.

“Moenie jou lesers onderskat nie. Gee vir hulle iets wat hulle nuut kan leer,” het Malene gesê. “Dis intelligente mense wat romanses lees.”

En sy sal weet, want Malene beskik oor meestersgrade in Ou Nabye Oosterse Studie en Antieke Studie en ’n doktorsgraad in Joernalistiek. Dit is juis haar navorsing oor die antieke wêreld wat gedien het as inspirasie vir haar eerste gepubliseerde romanse, Palmyra herleef.

Malene steun dikwels op haar eie kennis van argeologie en joernalistiek en haar eie ervarings van byvoorbeeld reise om haar verhale te skryf. Maar sy weet ook hoe om bronne effektief in te span. Sy gesels graag met kundiges, veral vir die mediese liefdesverhale wat sy onder die Hartklop-druknaam publiseer. “Die insigte in ’n beroep en lewe wat jy van só iemand kry, is meer prakties as wat jy in ’n boek of met Google kan navors.” Maar sy voeg by dat Google en boeke beslis hul plek in die navorsingsproses het. Malene stel ook voor dat skrywers ’n kaart raadpleeg wanneer hulle oor ’n bepaalde gebied skryf en dat hulle dan oor die geskiedenis van dié plek oplees.

Vir haar mees onlangse boek, My redder, my beminde, waar ’n aktrise in ’n ongeluk ’n diep sny oor haar gesig kry en by ’n eksklusiewe kliniek deur ’n plastiese chirurg behandel word, moes Malene plastiese chirurgie navors. TV-programme soos Botched het handig te pas gekom toe sy skryf oor ander pasiënte wie se gesigsontrimpelings en borsvergrotings elders geflop het en wat by die kliniek opdaag sodat die bekwame en baie aantreklike dokter dit kan regstel.

Hoewel navorsing vir Malene baie plesier besorg, is dit ook vir haar ’n saak van erns. Sy het die skrywers by die praatjie gemaan om navorsing nie ligtelik op te neem nie. "Daar is altyd lesers wat iets meer van ’n ding weet as jy en as dit nie outentiek en geloofbaar klink nie, kry jy kritiek of hulle skryf jou af.” Moet dus nooit die belangrikheid van goeie navorsing onderskat nie.



Friday, October 9, 2015

#ROSACon2015: Strength2Strength Workshop

Thank you to Angele Wells for this post on Phoenix Kelly's Strength2Strength workshop on Day 1 of #ROSACon2015. This workshop is usually a 6 hour seminar, but we persuaded Phoenix to give us the abbreviated version. We hope she'll be back at future events so we can experience the full length version!

ROSAcon2015, oh my word! I don’t even know where to start. So many wonderful workshops to attend, all designed to improve your craft.

One I attended that really stuck out for me was Phoenix Kelly’s Strength to Strength workshop. I,feel at this point, I should probably confess though that I have actually attended this one before BUT no two workshops are ever the same and I learn something new every time I go.

What I mean is ... wait. Let me start at the beginning.

The concept of the Strength to Strength workshop is to teach you not only about yourself but about others too. Why it is you do many of the things you do, why you interact a certain way with one person and a completely different way with someone else. What drives everyday interaction between people.

Simply, the programme revolves around four distinct personality types; represented by colours: red, green, blue and yellow. Everyone is representative of all four colours in varying degrees but, generally, most people present two colours more strongly than the other two, for example, Yellow/Blue or Red/Green. The colours have been broken down as Do’ers (red), Thinkers (green), Networkers (yellow) and Relaters (blue). Each colour/personality type has characteristics indicative of its category, both positive and perceived negatives. Reds can be logical but impatient, greens can be objective but non-emotional, yellows see the wider picture but are talkative and blues tends to be accurate but slow to make a decision.

Phoenix covered the various colour combinations and how they work together. Then she took us through the various positive characteristics of each colour/personality type as well as their possible limiters, or in laymen speak what could be perceived as a negative personality trait. However, she was quick to point out that the reason it’s termed a “possible limiter” is because if you’re aware of it, you can take steps to be more pro-active when it comes to these traits.

This workshop was condensed down from the full six-hour workshop into two hours that were insightful and informative. And I have to tell you, every time you attend this workshop you’ll learn a little more about human interaction.

If you ever get a chance to attend one of these workshops and learning about what makes people tick, don’t hesitate. You won’t be sorry.

Alternately, if you’re interested in hosting one of these workshops, contact Phoenix Kelly at phoenixkellywrites@gmail.com for more information. Tell her I sent you. ;)


Tuesday, October 6, 2015

#ROSACon2015 Report: Writing Compelling Dialogue

Thank you to Clare Loffler for today's report on Joss Wood's talk on Writing Compelling Dialogue. Joss is a multi-published (17 books and counting!) author for Harlequin and Tule Publishing. Her latest book, Claimed by the Warrior, is out now.


Joss Wood spoke on the art of “Writing Compelling Dialogue” at ROSACon 2015. She said that dialogue reveals characters’ relationships to one another, moves the plot forward and increases tension.

She said it is important to keep the following questions in mind when writing dialogue:

Will the story still make sense if the dialogue is removed?
Does the dialogue increase the suspense for what is to come?
Does it change the character’s situation for better or worse?
Does the dialogue shed some light on what the character wants?
Does it serve to strengthen the character’s resolve or perhaps weaken it?

Joss Wood
Joss stated that it is important to listen to conversations happening around you and to take note of the gestures and tones used as these will help you to write compelling dialogue. Be aware that men and women talk differently, and remember to keep your character’s dialogue consistent and realistic. Dialogue is not just quotations she said, it is also grimaces, pauses, adjustments of blouses and so on… Including physical reactions also helps the reader to identify which character is talking. Action, she said, was a good way to break up dialogue, while simple descriptions are a good way to slow dialogue down. She warned against writing dialogue that serves no purpose, and advised writers to be on the alert for characters telling each other things that they already know.


Friday, October 2, 2015

#ROSACon2015 Report: A Year In Romance with Rebecca Crowley

Over the next few weeks we'll be bringing you reports on the various sessions at #ROSACon2015. 

Today we kick off with a report by Mandy Verbaan on the opening session of the conference, A Year in Romance by guest speaker Rebecca Crowley, author with Carina Press and Samhain Publishing.



Rebecca Crowley
Rebecca kicked off the ROSA conference of 2015 with an overview of what’s been happening in our world for the past twelve months. Going down this particular memory lane is like watching an old Colombo whodunit. Authors stalking bloggers, a one week blogger black out, the demise of Ellora’s Cave, Dear Author revelations, law suits and tension in general between bloggers and authors.


Then along came #weneeddiverseromance off the back of #weneeddiversebooks which prompted a RITA nomination of a romance between a Nazi hero and a Jewish concentration camp heroine. A bizarre book nomination which got shortlisted and opened up numerous heated discussions. Although book publishers are looking for diversity, they surely cannot accept storytelling without respect and honour?

So where does that leave us? With constantly changing opportunities!

  • Publishers are going down or thriving. We will soon have a core group of publishers to pitch to.
  • Marketing needs to change. Blog tours and book reviews are not selling books like they used to so we need to find innovative ways to sell our books.
  • New voices and innovative stories are more popular than ever.
  • Rise of the hybrid author where we can publish across multiple channels – various known publishers as well as self-publishing is no longer an anomaly.

As we move forward in time we see more authors going the hybrid route. This new author is savvy and is building a repertoire of books that are publisher backed, self-published, sold through or without agents and are able to have complete control over their pipeline alongside receiving the support of publishers. And if this sounds like it’s the best of all worlds – that’s because it is!

So what will we need to produce next year? What’s the next big thing?

The great thing about being in a writing industry going through a progressive phase is that it’s a perfect time to be bold, different and innovative. But most of all … it’s time to be you!

Rebecca’s talk was informative, funny and entirely uplifting. Now that we know we can get the ins and outs of the industry again next year we can all go back into our writing caves to produce that best seller that is clamouring to be written.

Happy writing!

Wednesday, August 19, 2015

First ROSA Annual General Meeting

ROSA's first AGM takes place at 10:00 on Saturday 5 September in Rivonia, Johannesburg.

Non-members of ROSA are welcome to attend, and also to join us for refreshments and a chat afterwards, however only registered, paid-up members of the organisation will be eligible to stand for election or to have their say on ROSA matters.

Registered members who live outside of Johannesburg and who are unable to attend will be able to participate via Skype.

If you would like to attend or have any queries, please RSVP to Romy on romy@romancewriters.co.za.

For more about membership of ROSA, please visit our website: http://www.romancewriters.co.za/



Monday, August 10, 2015

Happy women's day!

To all the romance writers and readers out there (yes, even the rare men) I hope you're enjoying having a day off work today. All that extra reading time!

South African author Helen Moffett has posted her annual rant about Women's Day, and it's well worth a read. Just beware that the post contains some bad language and shouting. But it's thought provoking. Every day should indeed be Women's Day!

I also highly recommend this post by Jen Thorpe.

You're probably wondering why, on a day that should be joyful, celebrating the strength of women and their many amazing contributions to the world we live in, there is such an outpouring of negativity from women.

The answer is simple: equality between men and women is still a myth in South Africa.

This was brought home to me three times over this last week.

First, it was the leaflet distributor at the red traffic lights who leaned clear across the hood of my car to press his leaflet against the windscreen immediately in front of my face. When I did not joyously acknowledge him, he moved to stand by my window, again waving his leaflet. Not getting a reaction, he finally drifted to the car behind me, driven by a man. I watched my rear view mirror in fascination as he paused beside the driver's window, waving his leaflets at almost twice the distance he'd stood from my window. He didn't shove the leaflet in the male driver's face.

The implication is clear. As a woman, I do not deserve the same 'space' in the world as the man behind me. The leaflet distributor clearly felt he had a  right to get up close and personal and in my face, in a way he would never do with another man. The implication being that I, as a woman, am a lesser human being, less deserving of respect.
Less powerful.

But it's not only the uneducated men handing out leaflets in the backed-up traffic who perpetuate this inequality.

This last week Books Live announced the line up for the 2015 Open Book Festival to be held in Cape Town next month. 102 authors! Wow - fantastic! Then I scan down the list and though there are many women writers involved, none of the topics seem to cover women's fiction. There are about 120 sessions taking place during the Festival, and not one features the genre most read by women: Romance. Nor is there a single romance writer included among the speakers.

There are the usual talks on politics and race that occur at every book fair in South Africa (yes, these are important, but nearly 50% of the line-up at an event about BOOKs, not politics?). A handful of sessions are devoted to comic books, and there's even a talk on the connection between hip hop and the spoken word. (Not the written word, you notice, even though this is a BOOK festival). There's also a talk about loadshedding by a man who has written a book about Eskom. Because really, that's more relevant to South African literature than the world's most profitable book genre? I suppose I should be satisfied that there is at least one talk about YA (Young Adult fiction).

But I have to wonder: How is it possible that the highest earning genre of fiction world-wide is not represented? Why is there not even one session out of the 120 devoted to the genre written mostly by women, for women and about women?

The implication is clear: because in the literary world as much as on the city streets, women are less important. Unless we write a genre that is of interest to men (non-fiction, politics, sports, literary fiction) we are not worthy of inclusion.

Finally, the last straw in my build-up to Women's Day, was this article on Jezebel.com showing that men are eight and a half times more likely to succeed in publishing than women. Not for any obvious reason, except that people in publishing, as in all things in our supposedly equal society, seem to have a subconscious belief that men are better than women. (Except in Romance which, as the article points out, is the one genre in which it is an advantage to be a woman!)

I don't really need to say that this pervasive attitude towards women is (a) wholly unfair and (b) complete and utter tosh, do I?

Women make up half this planet's population. Interestingly enough, we're the half that ensures the survival of our species. In fact, pretty much the survival of all life on earth, if you exclude sea horses, hermaphrodites and single cell organisms. I'd say that makes us just a little important, don't you think?

Many of us raise the next generation alone, in the face of rampant daily inequalities which threaten not only our ability to earn, but even our ability to stay safe, and alive. In subtle ways we find ourselves pushed back, even while men who should be our equals are pushed forward. We are exhorted to behave more like men in order to get ahead. We are forced to endure twenty seven Marvell comic reboots as we await the one romantic comedy that made it into production in male-dominated Hollywood.
Yet we survive. We thrive. We love. We rise above.

Women are incredible. On this Women's Day I honour all the women who went before me: my grandmothers, my own mother who is the most amazing person I know, my friends and my female colleagues, the authors who have written words that inspired me, and the 20,000 women who marched together in protest on this day 59 years ago.
Thank you.

And I hope that you will all stand beside me as we take this march forward, as we push back against those pervasive attitudes, as we prove that women are in every way deserving of equality and safety. Not just on Women's Day, but every day.